The „World of Spaces“ originated entirely from listening. The complex constructions of sound spaces stand completely for themselves, not needing any input from the worlds of images, words or content thoughts to unfold their impact. Closing your eyes and just listening will help the inclined listener to get carried away into the different realms of abstract sound spaces.

A sound space consists always of two complementary components: Time and Space. Between those two constants lies an infinite multiplicity of musical possibilities for variations, an inexhaustible reservoir of borderless fantasia. A sound space is free from any conventions in past music literature.

The inner impuls to form a new sound space is a mood, a state of mind, that follows a concrete moment of a listening experience. The auditor enters a sound world, which is free of any musical precedent. Connecting to no musical stereotype, allows the listener to enter an unheard of musical experience at the direct intersection between sound and fantasia.

Arranging the four amplifyer boxes in a square setup produces a new sound space, which will dominate or even eliminate the all over perpetual noise contamination of the urban world. Entering this 3 dimensional space between the loudspeakers enables the listener to adjust his sense of hearing to the world in a new way, and thereby to reconstruct his emotional capacity of an inner reception.

With eyes closed, fantasia may help us to perceive by way of the „World of Sound Spaces“ a new vibratory movement....... and so the world of spaces comes to life in ourselves and enables us to experience a new dimension of „listening“, given the fact of total devotion to the aesthetic adventure.

Boris Baberkoff